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• One or more movements from a standard contest concerto (e.g., concertos by Mozart or Strauss, Morceau de Concert by Saint-Saens, Villanelle by Dukas)
• Etudes by Belloli, Gallay, Kling, or Kopprasch

• Sonatas by Galliard, any two contrasting movements, Concerto for Trombone by Grafe, Morceau Symphonique by Guilmant, or Andante and Allegro by Barat
• Melodious Etudes, Vol. 1, by Bordogni-Rochut; Sixty Studies for Trombone by Kopprasch

Two selections of contrasting style (technical and lyrical) or solo work that contains examples of both. Solo works should be from the standard repertoire (Lebedev, Hindemith, Capuzzi, Vaughan Williams, etc) or standard etudes of contrasting styles (Bordogni, Kopprasch, Blazhevich, Tyrell, Arban, etc).

All Major scales from memory, at least one octave.

Solo chosen from standard literature for trumpet ( e.g. One movement of concerti by Haydn, Hummel, Tomasi, Jolivet; One movement from a sonata by Hindemith, Kennan, Stevens; works by Honneger, Enesco, Tull).

Charlier Etude # 2 from 36 Etudes Transcendantes

One solo selection from the baroque era to be played on Piccolo trumpet.

Three standard orchestral excerpts ( for example: all trumpet 1. Mahler 5 Mvt. 1, Pictures Promenade, Petrouchka Ballerina’s Dance, Leonora Overture 2 and 3, Mahler 3 posthorn solo, Pines of Rome off stage solo)

Accompanist will not be provided and is not required. Applicant may provide their own.

• 1st movement from Concerto #2 or Concerto #4 by Mozart
• Adagio and Allegro by Schumann
• 1st movement from Hindemith’s Sonata

• Tenor Trombone: Examples of repertoire include Ballade by Martin, Concertino by Larsson, Concerto by Tomasi, Ballade by Bozza, Deux Danses by Defay, and Fantasy by Creston. Orchestral excerpts include Hungarian March by Berlioz, Tuba mirum from Mozart’s Requiem, Bolero by Ravel, Symphony No. 3 by Saint-Saëns, Symphony No. 3 (4th movement) by Schumann, Ride of the Valkyries by Wagner
• Bass Trombone: Examples of repertoire include Concerto by Spillman, Concerto by Lebedev, Fantasia Concertante by Casterede, and Prelude et Allegro by Bozza. Orchestral excerpts include Hungarian March by Berlioz, Creation (No. 26) by Haydn, Symphony No.7 (1st movement) by Mahler, Symphony No. 3 (4th movement) by Schumann, Ride of the Valkyries and Das Rheingold by Wagner.

• One or more movements of Flute Fantasy by Telemann
• One or more movements of Concerto for Trombone by Rimsky-Korsakoff
• A modern work such as Fantasy by Jacob, Concerto by Linkola

Solo repertoire demonstrating the applicant's highest level of playing (technique, tone, range, and musicality). Literature selection should include one transcription from either the Baroque, Classical, or Romantic periods.

Three to four standard orchestral excerpts that include at least one performed on bass tuba.

All Major and Minor scales in as many octaves as the applicant can play.